Tracks (12)

  1. Canvas Street

    Piano, double bass and drums intertwine with each other associatively, subliminally evoking scenes of nocturnal city life and the 20th century. The jazz age.

    Composed by Francesco Martini

  2. Rammerside

    Subdued, jazzy piece with sporadic, rarely thematic drum interjections. Piano and double bass are juxtaposed in fragmented scales, sequences and arpeggios with no clear musical center. Complex communicative situations, not without potential for conflict, might sound this way.

    Composed by Francesco Martini

  3. Noisy Minds

    Walking bass and phasy fusion organ conjure up swirly psychedelic inner worlds, driven by a frenzied swing beat. Equally suited for depicting altered states of mind as well as to act as an in-between music for audio plays with a familiar retro appeal.

    Composed by Francesco Martini

  4. Invisible Rooms

    Another psychedelic fusion jazz piece with walking bass and hammond organ. For historical features about unsteady times and an air buzzing with social change.

    Composed by Francesco Martini

  5. Objectalia

    Quiet, almost static sounding track that evolves slowly; with bass, organ, trumpet and other brass instruments as well as sporadic drum hits.

    Composed by Francesco Martini

  6. Jack's Way

    A lonely, reverberated trumpet is floating over a soundscape of staccato notes on the piano and rumbling low frequencies, joined by sparse double bass notes with a searching quality.

    Composed by Francesco Martini

  7. Taboo

    The city at night: Organ, double bass, trumpet and drums create a restless atmosphere of roaming around, searching.

    Composed by Francesco Martini

  8. Shaping

    Soft electric piano sounds meander slightly aimlessly over a pad of walking bass and swing drums. Uncertainty and doubt may be expressed thus, albeit not entirely hopelessly so.

    Composed by Francesco Martini

  9. Opus II

    Synth electric guitar and drums, complemented by a bell-like electric piano with a pulsating tremolo effect and an organ, complete the sonic signature of seminal fusion albums of the 1980s.

    Composed by Francesco Martini

  10. Labirintis

    Floating piano arpeggios, contrasted by single double bass notes and brisk drum interjections convey an open, invigorating impression.

    Composed by Francesco Martini

  11. Hella Skronk

    Piano, metallophone and drums are juxtaposed in free interplay without any recognizable principle of order. Chaos and conflict as well as creatively inspiring friction hover in the air.

    Composed by Francesco Martini

  12. Thumbs Up

    A low kick drum rumble, so faint it's barely audible, opens up a jammy fusion piece with a bell-like electric piano, direct-sounding, virtuoso electric bass-playing and restrained drums.

    Composed by Francesco Martini

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