Tracks (14)
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Dark Sun | 100 BPM | G-minor
A dark, distorted guitar theme gradually builds up to a mid-tempo post-rock hit. A wailing solo guitar and heavy drums give the track its serious character.
Composed by Erik Stadel
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Algorithms | 106 BPM | E-minor
This diverse track moves between post-hardcore and math rock. Perfect for action-packed content or nerdy topics.
Composed by Erik Stadel, Yan Vogel
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Into The Bright Future | 90 BPM | E-major
This energetic post-rock track oscillates between light-footed passages underpinned by breakbeat and synth pads and rock-inspired, melancholic outbursts.
Composed by Erik Stadel
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Circles And Waves | 120 BPM | D-minor
Opens with a memorable piano theme and gradually builds into an ambient rock epic. Time seems to stand still as layer upon layer of sound merge into a sediment-like construct. An epic ending for triumphant film moments.
Composed by Erik Stadel, Yan Vogel
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The Day Was Bright | 120 BPM | D-minor
At its peak, post-rock primarily meant a departure from the established structures of the alternative and indie rock genres. Expansive sounds, sprawling instrumental passages, and the use of electronic instruments or samples offered new opportunities for experimentation.
Composed by Erik Stadel, Yan Vogel
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Between Shadows and Stars | 69 BPM | G-minor
Atmospheric, textured. The ideal soundtrack for road movies or indie films with an authentic feel.
Composed by Erik Stadel, Yan Vogel
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When The Sun Goes Cold | 72 BPM | D-minor
The soundtrack to the apocalypse? Heavy guitars with synth accents alternate with melancholic passages featuring acoustic guitar and strings. For thrilling games, epic cinema material, or simply to get you pumped up.
Composed by Erik Stadel, Yan Vogel
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Caught By The Stars | 128 BPM | D-major
A conciliatory beginning with clean, melodic guitar. Evokes images of vast landscapes or aerial photographs. Then distorted guitars and drums suddenly break in and steer the mood in a completely different direction. Headstrong, emotional, blunt.
Composed by Erik Stadel, Yan Vogel
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High On The Hill | 71 BPM | D-major
The airy beginning with hesitant drums and echoing guitars gives way to a powerful alternative rock finale with a cutting electric guitar solo. Rousing and triumphant, for sports clips or impressive commercials.
Composed by Erik Stadel, Yan Vogel
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Upside Down | 140 BPM | D-major
The months of training have paid off: when the amateur runner crosses the finish line after 42 km, all her exertions immediately melt away. Gripping rock music for epic images, sporting challenges, and tasks mastered.
Composed by Erik Stadel, Yan Vogel
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Among The Stars | 68 BPM | G-major
Slow start with synth pads and thoughtful chord progression on the electric guitar. Gentle drums gradually join in. Ideal for images of wide landscapes or nostalgic moments.
Composed by Erik Stadel
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Steps | 73 BPM | D-minor
Airy post-rock sound with poignant piano arpeggios. Suitable for touching human interest stories or streaming series.
Composed by Erik Stadel, Yan Vogel
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Walking Down The Road | 80 BPM | Cis-minor
Individual guitar chords contrast with shimmering synthesizers, creating increasing tension that dissolves into a post-rock chorus.
Composed by Erik Stadel
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The Great Unknown | 110 BPM | A-minor
Like a phoenix rising from the ashes, this track climbs to unexpected heights before retreating back into calmer waters. Diverse and varied, it's an emotional rollercoaster ride for rock fans.
Composed by Erik Stadel
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