Canvas Street 2:09 UBM 2443
Piano, double bass and drums intertwine with each other associatively, subliminally evoking scenes of nocturnal city life and the 20th century. The jazz age.
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Rammerside 1:59 UBM 2443
Subdued, jazzy piece with sporadic, rarely thematic drum interjections. Piano and double bass are juxtaposed in fragmented scales, sequences and arpeggios with no clear musical center. Complex communicative situations, not without potential for conflict, might sound this way.
Noisy Minds 2:02 UBM 2443
Walking bass and phasy fusion organ conjure up swirly psychedelic inner worlds, driven by a frenzied swing beat. Equally suited for depicting altered states of mind as well as to act as an in-between music for audio plays with a familiar retro appeal.
Invisible Rooms 2:02 UBM 2443
Another psychedelic fusion jazz piece with walking bass and hammond organ. For historical features about unsteady times and an air buzzing with social change.
Objectalia 2:37 UBM 2443
Quiet, almost static sounding track that evolves slowly; with bass, organ, trumpet and other brass instruments as well as sporadic drum hits.
Jack's Way 2:06 UBM 2443
A lonely, reverberated trumpet is floating over a soundscape of staccato notes on the piano and rumbling low frequencies, joined by sparse double bass notes with a searching quality.
Taboo 2:00 UBM 2443
The city at night: Organ, double bass, trumpet and drums create a restless atmosphere of roaming around, searching.
Shaping 2:30 UBM 2443
Soft electric piano sounds meander slightly aimlessly over a pad of walking bass and swing drums. Uncertainty and doubt may be expressed thus, albeit not entirely hopelessly so.
Opus II 2:06 UBM 2443
Synth electric guitar and drums, complemented by a bell-like electric piano with a pulsating tremolo effect and an organ, complete the sonic signature of seminal fusion albums of the 1980s.
Labirintis 2:09 UBM 2443
Floating piano arpeggios, contrasted by single double bass notes and brisk drum interjections convey an open, invigorating impression.
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