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12,510 Tracks found for “All tracks”

Nature From Above 2:53 UBM 2542

Turning back time, venturing a new start. The future begins with a courageous first step. Warm, sensitive arpeggios for emotional moments.

Composed by David James Elliott, Oliver Ian Nezhati
Beyond The Horizon 2:49 UBM 2542

Up on the rooftops of the world, eons pass like the beat of a hummingbird's wings, as if in fast motion. For drone shots, awe-inspiring nature scenes and thought-provoking content.

Composed by David James Elliott, Oliver Ian Nezhati
Dodgy Dealer 2:39 UBM 2542

An all too suave gravel pit dealer peers slyly out from under the colourful flags that line the outer edge of his used car dealership. The self-assured, affable, corpulent presenter of a private radio station senses a rip-off. For human or animal scoundrels, with a slightly ironic undertone.

Composed by David James Elliott, Oliver Ian Nezhati
Hopeful 1:52 UBM 2542

Polyrhythmic like the ticking of an endless number of clocks, this track drives inexorably and promisingly towards the future.

Composed by David James Elliott, Oliver Ian Nezhati
Culprit 2:13 UBM 2542

More and more people are longing to renounce the idolatry of today's fast-paced world once and for all and are incessantly busy optimising their supposedly deficient mindset. A dangerous gateway for the false promises of self-appointed, modern gurus such as coaching influencers on social media. Moving marimba sounds with increasing intensity.

Composed by David James Elliott, Oliver Ian Nezhati
Machine Gun 1:53 UBM 2557

Hesitant, particularly haunting piano score for anti-war films, historical dramas and documentaries from crisis areas. Alternative version with gunshot sounds at the beginning.

Composed by Andreas Schulz
Scream 2:06 UBM 2557

A bloodcurdling soundscape with screams at the beginning develops into a reverberated piano improvisation. For anti-war films and historical or psychological dramas.

Composed by Andreas Schulz
Calm By The Sea 2:35 UBM 2563

The dark, threatening beginning of this haunting score sounds like a large ship entering the harbor and develops into a slightly lighter mood as soon as the acoustic guitar and violin come in. For emotional reports or moving scenes in film and television.

Composed by Erik Stadel, Yan Vogel
  1. Full 2:35
  2. Minimal 2:35
  3. Underscore 2:36