The famous Prélude, fugue et variation, op. 18 in B minor was dedicated by the Belgian composer César Franck (1822-1892) to his friend Camille Saint-Saëns. The composition remains a standard work in the Romantic repertoire to this day and is very popular with budding pianists and organists.

Composed by César Franck

Heavy rain falls on the dystopian metropolis, where depressed people afflicted by loneliness and fear of loss can only find solace in the late capitalist reality series broadcast on the big screens.

Composed by Andreas Schulz

Contemplative, cinematic. Perfect score for transitions and mood changes from light to dark, from optimistic to troubled. How will the plot develop, which of the protagonist's dreams will burst like soap bubbles in the wind?

Composed by Andreas Schulz

Midnight in the horror castle: a doll shabbily screwed together from mismatched parts opens its eyes, demons appear in a mirror covered in cobwebs and dust, and all kinds of worms crawl out of the long-dead aristocratic landlord's modern furniture. Disturbing musical collage for particularly eerie scenes.

Composed by Andreas Schulz

The Cantilène réligieuse by the French composer and music teacher Théodore Dubois (1837-1924) radiates sacred calm and inner devotion. Played here on the organ, the composition is suitable for religious and historical themes.

Composed by Theodore Dubois

Emptiness. Silence. The alien planet disappears from the spaceship's line of sight, dragging the possible civilization on it into the darkness. What remains for the earthly observers is a gentle dizziness and the uneasy feeling of having missed a potential new beginning forever.

Composed by Andreas Schulz

The lights are still on in the small bar on the corner. A few of the last guests are standing and clutching their emptying glasses. Next to the entrance, a table and a gradually more urgent decision by two people as to whether and where the evening should continue. Piano jazz in the background, a fox in front of the door.

Composed by Andreas Schulz

This stylish bossa nova, played on a guitar with nylon strings, accompanies romantic scenes, but also travelogues from Central and South America or nature documentaries.

Composed by Andreas Schulz

A gentle piano theme with jazzy touches for credits that make you want to stay in your seat longer. Stimulates reflection and serves as a decelerated transition back to the real world outside the doors of the old movie theater.

Composed by Andreas Schulz